(Adams and Ollman)
01 Bathers 72 (Joanne), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
02 Bathers 68 (Jackie), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
03 Bathers 73 (Luna), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
04 Bathers 77 (Noa), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
05 Bathers 81 (Martina), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
Research: Clara Bradbury-Rance, Lesbian Cinema After Queer Theory (Edinburgh: Edinburgh University Press, 2019).
Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003).
Barbara Hammer, HAMMER! Making Movies Out of Sex and Life (New York:
Feminist Press, 2010).
Subtle Bodies
01 Mud Wrestlers c. 1990s, 2025
Found internal dye diffusion transfer print, aluminum, silver leaf, museum rag, conservation board, hardware
12” x 11”
02 Mud Wrestlers c. 1990s II, 2025
Found internal dye diffusion transfer print, aluminum, silver leaf, museum rag, conservation board, hardware
12” x 11”
01 1965 (Daughter of Bilitis, “The Ladder”; Chained Girls), 2025
Dye diffusion transfer print
4.25” x 3.25”
02 1993 (KD Lang Cuts It Close; Terry Castle “The Apparitional Lesbian”), 2025
Dye diffusion transfer print
4.25” x 3.25”
03 1993 (Lesbian Avengers Eat Fire Too; first NYC Dyke March), 2025
Dye diffusion transfer print
4.25” x 3.25”
04 1976/1999 (Diana Davies documents Michigan Womyn's Music Festival; Mariette Pathy Allen documents Camp Trans), 2025
Dye diffusion transfer print
4.25” x 3.25”
05 1981 (By Design; This Bridge Called My Back; First documented lesbian pride), 2025
Dye diffusion transfer print
4.25” x 3.25”
Mariette Pathy Allen documents Camp Trans)
(After Corinne)
Untitled (Girls Like Us, Issue 3), 2025
Internal dye diffusion transfer print, cathedral glass, copper, pewter
14” x 4.25”
Research: Tee Corinne, The Sex Lives of Daffodils: Growing Up as an Artist Who Also Writes (Wolf Creek, OR: Pearlchild, 1994; revised edition 1997).
Wednesday, "Freaky Hands: A Phenomenological Reflection on Lesbian Hands," Journal of Lesbian Studies 12, no. 4 (2008): 399–402.
Brodie Crellin, "Locating the Lesbian Hand in Barbara Hammer’s Early Works," Another Gaze, Essays, May 15, 2020.
Bathers (S& Projects, Sweetwater, 535 W 22nd St)
01 Bathers 25 (Jean), 2025
Dye diffusion transfer print, glass, artist’s frame
24” x 20”
02 Bathers 52 (Therese), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
03 Bathers 51 (Jules II), 2025
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
04 Bathers 50 (Jules), 2025
Dye diffusion transfer print, glass, artist’s frame
5” x 4”
05 Bathers 41 (Jan), 2024
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
Research: Lee Wallace, Lesbianism, Cinema, Space: The Sexual Life of Apartments (London: Routledge, 2008).
Geoffrey Maguire, Bodies of Water: Queer Aesthetics in Contemporary Latin American Cinema (Edinburgh: Edinburgh University Press, 2023).
Linda Nochlin, Linda Nochlin on The Body (London: Thames & Hudson, 2024).
Feeling Backward (Orpheus)
Feeling Backward (Orpheus through Trio A; Portrait de la jeune fille en feu; Les Guérillères and Virgile, Non; Eurydice, 1917), 2025
Dye diffusion transfer print, conservation glass, aluminum plate, zinc, pewter
10.25” x 8.25”
Research: Heather Love, Feeling Backward: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2007).
Feeling Backward (Orpheus through Trio A; Portrait de la jeune fille en feu; Les Guérillères and Virgile, Non; Eurydice, 1917), 2025
01 1974 (Carol Newhouse for WomenSpirit Magazine; Lesbian Herstory Archives; Kathy Kozachenko elected), 2024
Dye diffusion transfer print
4.25” x 3.25”
02 1968 (The Killing of Sister George; NACHO “Gay is Good”), 2024
Dye diffusion transfer print
4.25” x 3.25”
03 1952 (Pulp; Forbidden, Spring Fire, The Price of Salt), 2024
Dye diffusion transfer print
4.25” x 3.25”
04 1983 (San Diego Blood Sisters; Onyx; Lianna; A Consciousness Raising Kit), 2024
Dye diffusion transfer print
4.25” x 3.25”
05 1985 (Lesbian Land; Desert Hearts), 2024
Dye diffusion transfer print
4.25” x 3.25”
01 1974 (Carol Newhouse for Women Spirit Magazine; Lesbian Herstory Archives; Kathy Kozachenko elected), 2024
02 1968 (The Killing of Sister George; NACHO “Gay is Good”), 2024
03 1952 (Pulp; Forbidden, Spring Fire, The Price of Salt), 2024
04 1983 (San Diego Blood Sisters; Onyx; Lianna; A Consciousness Raising Kit), 2024
05 1985 (Lesbian Land; Desert Hearts), 2024
(Paris Internationale)
01 Bathers 38 (Marie), 2024
Dye diffusion transfer print, glass, artist’s frame
10” x 8”
02 Bathers 45 (Julie), 2024
Dye diffusion transfer print, glass, artist’s frame
5” x 4”
03 Bathers 26 (Alma), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
04 Bathers 37 (Cay), 2024
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
05 Bathers 34 (Loïs), 2024
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
Research: Jackie Stacey, "Desperately Seeking Difference: Desire between Women in Narrative Cinema," Screen 28, no. 1 (1987): 48–61.
Lucille Cairns, Sapphism on Screen: Lesbian Desire in French and Francophone Cinema (Edinburgh: Edinburgh University Press, 2006).
Amy Villarejo, Lesbian Rule: Cultural Criticism and the Value of Desire (Durham, NC: Duke University Press, 2003)
01 Bathers 38 (Marie), 2024
02 Bathers 45 (Julie), 2024
03 Bathers 26 (Alma), 2023
04 Bathers 37 (Cay), 2024
05 Bathers 34 (Loïs), 2024
The Messenger: The Story of Joan of Arc (1999), 2024
C-type print
10” x 8”
The Messenger: The Story of Joan of Arc (1999), 2024
(Sweetwater)
01 Bathers 8 (Tamsin), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
02 Bathers 5 (Noemi), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
03 Bathers 12 (Eva), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
04 Bathers 7 (Nina), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
05 Bathers 14 (Sarah), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
Research: Judith Mayne, Cinema and Spectatorship (London and New York: Routledge, 1993).
Sara Ahmed, Queer Phenomenology:Orientations, Objects, Others (Durham, NC: Duke University Press, 2006).
Susie Bright and Jill Posener, Nothing but the Girl: The Blatant Lesbian Image (London: Cassell, 1996).
01 Bathers 8 (Tamsin), 2023
02 Bathers 5 (Noemi), 2023
03 Bathers 12 (Eva), 2023
04 Bathers 7 (Nina), 2023
05 Bathers 14 (Sarah), 2023
Poet Lies
Poet Lies (moondaddy; Volar Records)
Album Artwork, 2023
C-Print
Think Back Through Our Mothers
01 1967/1961 (Black Cat Riots, Martha Dobie), 2023
Dye diffusion transfer print
4.25” x 3.25”
02 1987 (On Our Backs “Two Lovers”; Second National March on Washington; I've Heard the Mermaids Singing), 2023
Dye diffusion transfer print
4.25” x 3.25”
03 1991 (Idgie Threadgoode, Tee Corinne Lambda Book Report), 2023
Dye diffusion transfer print
4.25” x 3.25”
04 1973 (Over the Wall, X), 2023
Dye diffusion transfer print
4.25” x 3.25”
05 1967 (The Fox, SCUM Manifesto), 2023
Dye diffusion transfer print
4.25” x 3.25”
Research: "For we think back through our mothers if we are women," Virginia Woolf, A Room of One's Own (London: Hogarth Press, 1929), 76
Lesbian Herstory Archives; June L. Mazer Lesbian Archives; Salsa Soul Sisters (African Ancestral Lesbians United for Societal Change); MOTHA (the Museum of Trans History & Art); The Lesbian Bar Project
01 1967/1961 (Black Cat Riots, Martha Dobie), 2023
02 1987 (On Our Backs “Two Lovers”; Second National March on Washington; I've Heard the Mermaids Singing), 2023
03 1991 (Idgie Threadgoode, Tee Corinne Lambda Book Report), 2023
04 1973 (Over the Wall, X), 2023
05 1967 (The Fox, SCUM Manifesto), 2023
(Athenaeum)
01 Bathers 1 (Adèle), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
02 Bathers 2 (Thelma), 2023
Dye diffusion transfer print, glass, artist’s frame
8.25” x 6.25”
Research: Terry Castle, The Apparitional Lesbian: Female Homosexuality and Modern Culture (New York: Columbia University Press, 1993)
Andrea Weiss, Vampires and Violets: Lesbians in Film (New York: Penguin Books, 1993)
Drew Burnett Gregory, "The 100 Best Lesbian Movies Of All Time," Autostraddle, 2023.
01 Bathers 1 (Adèle), 2023
02 Bathers 2 (Thelma)
Jeanne d'Arc on Film
Joan of Arc (1948), 2023
Chromogenic Type-R print
24” x 20”
Joan of Arc (1948), 2023
01 Survival (the gun, Bound), 2022
UV on aluminum, aluminum hardware
10 x 8 in (25.5 x 20.5 cm) oval
02 Survival (Faith's stake, Revelations), 2022
UV on aluminum, aluminum hardware
10” x 8”
01 Survival (the gun, Bound), 2022
02 Survival (Faith's stake, Revelations), 2022
Latent (Eros)
01 Latent (Eros), 2022
Recto, poetry reading live to lathe cut vinyl, aluminum, steel hardware, silver clay
02 Latent (Eros), 2022
Recto, poetry reading live to lathe cut vinyl, aluminum, steel hardware, silver clay
03 Latent (Eros), 2022
Verso, internal dye diffusion transfer print, oil color, conservation board, acrylic sheets, aluminum hardware
04 Latent (Eros), 2022
Verso, internal dye diffusion transfer print, oil color, conservation board, acrylic sheets, aluminum hardware
Recorded and lathe cut to vinyl by Cara Potiker at The Comet Theater, San Diego, California on June 26, 2022.
01 Latent (Eros), 2022
02 Latent (Eros), 2022
03 Latent (Eros), 2022
04 Latent (Eros), 2022